Archive for the ‘Exclusive Reviews’ Category

I put off watching the final episode ‘One Perfect Day’ for as long as I could. I hate seeing good Australian drama ending well before its time. I felt the show had plenty more to give, but for many reasons the Nine Network saw things differently. We must, however, thank them for 5 years and 68 episodes of Australian drama that will now take its place next to other top series like ‘Water Rats’ and ‘Blue Heelers’.

But, on with the show…

As the terrorism storyline has been left unresolved, we know it must take centre stage this episode. Our heroes are back to routine boardings, but the one they’re about to make is anything but routine.

On the surface, the first target of the day looks like a ghost ship so the boarding team quickly takes control. Below decks, however, is where the real mystery begins.

Kate finds a geiger counter. When she turns it on, it immediately starts beeping. Kate and Swain follow the direction of the increasingly urgent electronic noises and soon find two men with radiation burns.

When Kate talks to the dying men they confess that they had two passengers with very heavy suitcases.

The hunt is on, and as you would expect, Madelaine and Jim are back. Jim brings with him a proposal for Kate, something that is bound to change their future. This scene between Kate and Jim is really quite sweet and manages to avoid the extreme TV cliches. Lisa and Ditch work efficiently to bring to life the romance of two very pragmatic characters.

Meanwhile, Madelaine is still acting suspiciously, shutting out most of the crew. Her behaviour is starting to gnaw at Dutchy, especially when he attempts to wave the white flag for his earlier mistakes. Madelaine is not very forgiving; indeed she seems to revel in making Dutchy squirm.

Madelaine and Jim explain to Mike and Kate that autopsies of the men discovered traces of caesium in their bodies – an element that creates deadly radioactivity.

With Hammersely hot on the heels of the terrorists, they come across a boat carrying large quantities of semtex explosives. They know that semtex + caesium = a dirty bomb. The question is, who or what is the target?

The action is this episode continues to escalate until the final explosive end that brings devastation to the whole Hammersley team.

The cast is clearly giving it their all, for this one final time! Ian, Lisa, Ditch, Matt and Conrad are all notable, with Lisa’s performance reminiscent of what we saw during ‘In Too Deep’.

The final scenes of ‘One Perfect Day’ are exceptionally moving. There is not a huge amount of dialogue; our skilled cast don’t need words to convey their emotions. We see heartbreak and humanity mixed with professionalism and pride. The atmosphere created is one of peaceful resignation more than destructive loss; of pain but not anger. The mood makes us reflect on the fragility of life and the honourable way that people can act when faced with impossible choices. ‘One Perfect Day’ is about bravery and courage that need not involve physical strength; it’s about utilitarianism achieved through self-sacrifice; it’s about fatalism but not pessimism. I was very moved and thought the calmness/peace overflowing in the final scenes created a fitting, yet ironic, end to an action series. These closing moments are sure to stay with Sea Patrol fans for a long, long time.

The visual structure and editing both helped to enhance these emotion-charged scenes in ‘One Perfect Day’. In fact, I can’t really fault the episode at all. The tone and pace are perfect The balance between action and drama, as well as between the professional and personal, is very fitting for the final episode. This has always been a strong point of the series but the equilibrium demonstrated here is better than ever.

Hal and Di promised that we’d see a resolution and they have delivered. Despite the fact that the end of the series was announced after this season had been written, most fans should feel satisfied by the level of closure this episode brings. As the series has been nearing its end, I was honestly a little doubtful that many things could be resolved satisfactorily but I have been very pleasantly surprised.

So that’s it. 68 episodes. Like all TV series, we’ve seen highs and lows. We’ve witnessed babies born, crew members perish, romance blossom and some amazing vistas of Far North Queensland.

Although it’s impossible to single out a favourite episode from the entire series, ‘One Perfect Day’ is certainly a front-runner. For me, ‘In Too Deep’, ‘Irukandji’ and ‘Dutch Courage’ are also up there.

I want to thank Hal and Di for their extraordinary support. Not just support of these reviews – which have been the highlight for so many fans – but also for providing so many unique insights and opportunities that fans don’t normally get. To have made themselves so available to a website, even while in the midst of shooting the series, is remarkably generous and most sincerely appreciated.

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Episode 12 ‘Saving Ryan’ starts off with a hint of the action to come. Hammersley boards what looks like an FFV that has been attacked with automatic weapon fire. There are a few survivors – but they are resistant to help, saying it was the Royal Australian Navy who attacked them.

Back at Navcom, Commander White briefs Mike and Kate. She says the man who attacked the FFV is an ex-SAS solider, Garth Davidson (Jack Campbell), who now runs a local security company. Hammersley is tasked with intercepting Davidson’s boat when it returns to Australian waters.

Maxine snatches a quiet word with Mike. The hospital has updated Maxine with grim news about Stuart. Ryan, who is still AWOL, needs to be found.

Hammersley intercepts Davidson’s boat, confiscating weapons along the way. Whilst searching below decks, Bird finds Ryan hiding. He explains he has joined Davidson’s company, GD Security. He begs her to keep quiet about his presence.

Meanwhile, Kate is struggling to keep her food down. She’s sure she’s just eaten something dodgy but Swain points out that her symptoms are consistent with another possibility – one that Kate’s already considered. This subject leads to a couple of delightfully awkward exchanges between Kate and RO.

When Bird hears of Stuart’s worsening condition, she comes forward about Ryan’s whereabouts and Mike attempts to track him down.

Later, Hammersley is again tasked with escorting the GD Security boat. The job proves far from routine, resulting in a tense and action-packed climax.

Fans who tire of seeing Mike on the bridge all day will be glad to know that with Kate sick, Mike takes her place in leading shore and boarding parties. The action that naturally follows includes a fantastic solo fight scene that trumps Mike’s previous effort in ‘Night of the Long Knives’.

Some heartfelt scenes between Mike and Ryan this episode might broaden the appeal of the father-son storyline, for those who are not sold on it yet.

The combination of action and emotional demands this episode gives Ian the chance to demonstrate his range, as well as show us the third dimension to Mike Flynn that we don’t always see.

Lisa and Tammy assist in raising the emotional stakes for Ian, making the story that much more real.

Dominic Deutscher has had a lot placed on him in the last few episodes, and he continues to show growth here, especially opposite his more seasoned co-stars. At the same time, his scenes with Danielle Horvat (Bird) retain the youthful energy that has become typical of the pair’s interactions.

Campbell, recognisable from ‘All Saints’, plays the suitably tough and gruff ex-SAS solider.

‘Saving Ryan’ really picks up from the slower pace set in Episode 11, and it foreshadows an explosive finale next week!

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After some more of the terrorism storyline and a dodgy island, it’s refreshing to see the boarding party back to work. Episode 11, ‘The Morning After’, opens with our heroes boarding a suspected FFV. In the past, foreign fishermen have often seemed to just give up when they come face-to-face with the RAN. Here, they fight back with more vigour than we’ve seen in the past – and why wouldn’t they? They’ve got a lot to lose!

This episode reflects exactly what they’ve got to lose. Charge feels sorry for the master of the vessel, Karno, who tells him he will be killed if they take his boat. 2Dads shrugs it off with a ‘you do the crime, you do the time’ attitude. After Karno attempts to commit suicide, Charge stops him and in the process cops flack from Mike. Charge again wears his heart on his sleeve as he pleads Karno’s case; Mike is dismissive. That is, until a familiar name crops up.

Back in Samjung port, Karno is handed over to the local police to testify against the man who runs all the local FFV’s.

Samjung port means time for R&R for the crew. Mike and Kate again try to snatch a quiet word with each other – not easy with the crew partying around them! In a scene vaguely reminiscent of the beach stroll scene from Series 4, Mike and Kate walk and talk, except this time the location is the back streets of a coastal town. The subject of Maxine and Ryan is at hand.

Things look good for RO and Dutchy who leave with women in toe. The surprise pick-up for the night is left to Charge. With a night of heavy drinking, drama dictates that the night will not end well for some. In the morning, 2Dads finds himself back in his cabin with a sombrero and Charge wakes up in a lady’s bed – with a ring on his finger!

Things go from bad to worse for Charge after he receives a call from Karno who has just been released from police custody.

Although the first part of this episode isn’t action heavy, the arrival of Jim Roth brings plenty of action with it – including some action between Jim and Kate.

Some of the guest performers’ accents are a bit over-stressed, however our crew’s performance is top notch. Their seamless execution of comical moments adds to the episode.

To be honest, on first viewing the episode didn’t grab me as much as Episodes 9 and 10, perhaps because I was expecting the same level of action we’ve witnessed recently. On second viewing, however, I felt more at ease with the story and pace.

Ditch Davey has his acting groove back and the scenes between Lisa and him work well. It’s also good to see Kate involved in some of the heavy action, on both land and sea.

Despite relying on a fair bit of coincidence in the core story, the twists and turns in this episode will hold your interest. There is an action-heavy ending, plus a nice moment between Charge and 2Dads to look forward to in the final minutes.

With only two episodes remaining, make sure you enjoy the show while you can!

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Episode 10, ‘The Hunted’, opens with Dutchy running the junior sailors through some hand-to-hand combat and firearms drills. From Bird’s perspective, it is simply an excuse for Dutchy to exercise his authority and prowess.

Dutchy proposes that his least competent subordinates spend their shore ‘leave’, practising survival skills. Mike agrees to this ‘EXPED’; 2Dads is also enthusiastic about a trip he believes will involve drinking, fishing and camping at the Navy’s expense.

At the local pub, Kate and Mike snatch a rare quiet drink together. Before they have a chance for any quality discussion though, Stuart White (Ryan’s father) arrives to deliver Mike a serious right hook. Kate and the rest of the crew look on with puzzlement.

The next morning, Dutchy, Bird, 2Dads and RO are dropped off on a remote island for their EXPED. Before too long, Dutchy has searched his charges and confiscated all non-essential items – including 2Dads’ hidden booze. Maybe this EXPED isn’t going to be as enjoyable as he thought? RO is at his pessimistic and hypochondriacal best; however, it is Bird who Dutchy admonishes the most, prompting in her a crisis of confidence.

With an early focus on Bird, it becomes obvious that this episode is either going to build or break her character. Danielle starts off a little awkward but as the episode picks up pace, her performance becomes more fluid and engaging. Danielle has a series of emotional scenes with no dialogue; if she were not at an adequate standard the suspense of this episode would not work. It is a testament to her growth as an actor that, despite having to battle some cliched moments, our attention is caught and held.

RO and 2Dads are instructed to catch some fish for dinner, while Dutchy and Bird hunt down a rabbit. When Dutchy is briefly left alone to skin and prepare ‘Thumper’ for dinner, he is pounced upon by two suspicious characters. Bird can only watch helplessly from a hiding place as he is tied up and led away. Shock horror – the deserted island, isn’t so deserted after all!

With that, the tone and pace of the episode are transformed. The island narrative becomes very ‘Wolf Creek,’ introducing us to monstrous characters whose torturous motives the writers don’t even attempt to explain.

Meanwhile, on board Hammersley the remaining crew are struggling in their own ways: Ryan is moody and Kate is concerned; Mike feels powerless about personal issues; While Charge has his own problems.

Akin to her scenes with Lisa in Episode 10 last year, Danielle’s scenes with Conrad are balanced and assured; with a couple of touching moments throughout the episode. Dominic gives another confident performance as Ryan, despite minimal screen time. The youngest crew members are really standing up to be counted in this episode.

With less skilled writing and directing this type of ‘horror’ themed episode could have fallen apart. The soundtrack perfectly compliments the fabulous cinematography but I can’t imagine how intense and draining the island scenes must have been for the crew to shoot.

‘The Hunted’ goes to a very dark place, but is gripping viewing. This survival expedition will leave a mark on both the Hammersley crew and fans alike.

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Episode 9, ‘Dead Sea’, seems to be where the action from the last few episodes has been hiding. We launch straight into a night time covert operation on an unidentified Pacific island: an undercover agent; the typhoon fired; big explosions; serious gunfight. And so the pace for this dramatic episode is set!

ASIO spook Madelaine Cruise (Renai Caruso) is in charge of the clandestine operation which is being coordinated from HMAS Hammersley. When Agent Smith, the only surviving member of the covert team, struggles to make it to the waiting RHIB, Swain risks his own life to get Smith to safety.

Back on board ship, Swain tends to Agent Smith. The intelligence that Smith gathered is quickly passed on to ASIO HQ by Madelaine.

Tension between Dutchy and Madelaine is still very evident in this episode, but it isn’t overplayed.

When Hammersley docks at the local port, a government representative boards the ship, and the corrupt local government orders Hammersley to leave the island. Apparently the Aussies have overstepped the mark by fighting on a neighbour’s doorstep.

As Hammersley sails back home, Agent Smith’s behaviour degenerates. He had appeared okay when rescued, but there are now questions about his mental health. Madelaine writes off Smith’s strangeness as ‘stress’. But when Smith goes on a desperate search for beer in the middle of the night, his behaviour seriously unnerves Bird and, particularly, Ryan.

Agent Smith soon turns up dead. It looks like an accident; Swain isn’t so sure. Suspicion soon falls on the crew and an Agatha Christie-esque murder investigation ensues, with Swain at the helm.

The investigation into the mysterious death doesn’t slow the pace. Even Ms Cruise gets in on the action by leading a covert operation with the Hammersley boarding party!

Although Madelaine remains icy and continues to cause tension on board, she is more likeable this episode than I’ve found her in the past. She is disturbingly calm under pressure and under fire. Is it just a coincidence that it was also Episode 9 last year that marked a positive change in lots of fans’ feelings towards Dutchy?

Caruso has been perfectly competent in her role so far this series. There has been nothing in her performance that I’d regard as outstanding, but nothing that stands out as really bad either. Early in this episode Caruso didn’t particularly grab me, but later when she takes the lead in some action scenes, she really drew me in. Some of her lines, however, are a little awkward and unfortunately this detracts from her overall performance.

Caruso is well supported by the crew around her, especially Conrad (Dutchy) and Matt (Swain). Teamwork takes centre stage in this episode (though not in a preachy way!). Each crew member is on the ball and they work together efficiently.

Some of the guest stars’ dialogue is a bit off key at times, but it is believable enough to keep the viewer enthralled in the story.

Even with the increase in action and a mystery sub-plot, the episode is not so jam-packed that it sacrifices humour or some lighter moments.

Although the critics probably won’t like this story and say it’s something better left to a high budget American series, for me this episode simply works. And ‘Sea Patrol’ is one of the only Australian dramas that could pull it off.

The action, drama, tension, acting, editing and storytelling are all top notch and these elements remain at the high standard we now accept as the norm.

I’m an action junkie and this is one of the main reasons I watch ‘Sea Patrol’. So in this respect, ‘Dead Sea’ is a highlight for me – and if it is any indication of what’s ahead as we approach the home-stretch of Series 5, we should expect an engrossing and explosive end!

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I was rather surprised that a 2Dads episode would come up straight after a 2Dads / Charge episode, but ‘Lifeline’ gives Nikolai a chance to shine once again. Refreshingly, it is not strictly a 2Dads-gets-himself-into-trouble episode, but one that focuses on his personal growth.

The boarding team investigates a small research submarine following a May Day call. They find two scientists aboard. Tracey (Pia Miranda) and Jack (Nicholas Bell) seem to be having electrical problems. As the resident sparky, 2Dads is quickly summoned to look at the issue – and he is not impressed about having to descend into a submarine.

As it turns out, 2Dads’ fears were warranted. To the astonishment of the boarding party, the submarine suddenly submerges with Jack and 2Dads inside. Before long, the submarine arrives at the ocean floor, 20 metres beyond radio range.

While the crew tries to locate the submarine, Jack surfaces in the only viable escape suit. Jack tells them an explosion ripped through the submarine and that 2Dads is dead.

Nonetheless, the crew works together, resting on the hope that 2Dads might still be alive. RO takes the lead, coming up with several ideas to assist his shipmate. Charge is also trying desperately to provide practical help to his young comrade.

When they finally make contact, it’s a race against time to get 2Dads to the surface. But 70 metres below sea level, with fried electrics and a depleting oxygen supply, what chance is there? In a way, this episode pays homage to the Russian submarine tragedy a few years ago.

The immaturity demonstrated by 2Dads over the past couple of seasons seems to have put some fans off-side. If you’re one of those people, I’m pleased to say that this episode marks a turning point in 2Dads’ personal growth. Under the most stressful circumstances, 2Dads learns a valuable lesson about self-reliance and trusting his colleagues.

Nikolai’s acting ability is put to the test as he spends the majority of the episode alone, with no other actors to bounce off. It is a test that Nikolai blitzes. His performance is assured as he depicts the emotion of someone in a life-and-death situation that others have faced and not survived.

Although John (Charge) has less screen time than Nikolai, he stills gives a good performance as a man desperately trying to save his best buddy against seemingly impossible odds.

However, it is Kristian (RO) who outshines everyone in this episode. Although themes of putting oneself in another’s shoes have been explored before, this time more of the intensely private and complex RO is exposed – and the result is incredibly satisfying. As usual, Kristian works wonders with this particularly special script. He treads carefully and with pin-point accuracy to bring to life a very three-dimensional RO. Kristian’s perfectly measured performance allows us to feel an empathy for RO that has not been achieved before.

Seasoned actors Miranda and Bell are also a joy to watch but, with the episode focusing on 2Dads’ emergency situation, they seem underused. It is understandable, yet unfortunate to see so little of their talents. On a side note, it’s great to see Miranda back on screen – looking not a day older than she did in her break-through role as Josie in “Looking for Alibrandi”.

‘Lifeline’ is not as action-packed as other episodes this season, but the character drama is so strong that it hardly matters. Indeed, injecting more action into this episode would have upset the dramatic tension. ‘Lifeline’ is one of those rare episodes that has an inexplicable quality to it; a spark that the viewer feels but does not see. I was compelled to give it my undivided attention despite a scarcity of stunts and special effects. Even if you don’t feel that spark, every viewer should appreciate that much-loved Australian characteristic: humour in the face of crisis.

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Episode 7, ‘Black Flights’, starts off as a normal day aboard Hammersley. Our crew finds a young man named Leigh on a drifting boat. He is trying to fix mechanical issues caused by a lightning strike. Unable to resolve the problem, Hammersley tows him back to his local port in the small coastal town of Winston.

As contemporaries of Leigh’s, Ryan and Bird hit it off with him from the start and the trio quickly forms a firm friendship. Mike orders some R&R for the crew whilst anchored near Winston. As usual, 2Dads is up to no good and sniffs out a poker game happening just outside of town. One thing leads to another and 2Dads ends up alone in the middle of the bush.

“Sea Patrol” seems to turn a bit “The X Files” here, with a bright light blinding 2Dads as he passes out. After waking up the next morning, still in the bush, 2Dads manages to make his way back to the boat. An unimpressed Kate dresses him down and becomes even more annoyed when he tries to tell her of the ‘UFO’ he saw.

It’s not long before the Hammersley crew starts to unleash UFO pranks around the boat. Even RO partakes in the joking, and this adds to the amusement of the situation. The only person who seems to believe 2Dads’ UFO story is his good buddy Charge. However Charge is having troubles of his own; he has been experiencing chest pains but ignores 2Dads’ advice to consult Swain about it.

When Charge and 2Dads head off to find the source of the mysterious light, they get chased down by men with guns and end up on the trail of a bigger mystery. As is his nature, Charge believes the conspiracy theories; Mike and the rest of the crew aren’t impressed.

The relationship between Ryan, Bird and Leigh takes an unexpected turn and this leads to some interesting developments in Winston.

The acting from Dominic Deutscher (Ryan) and Danielle Horvat (Bird) has really picked up, and they both seem more at ease with their characters. They are also interacting well with the other actors, including the guest artists. An honourable mention must go to Brenton Thwaites as Leigh, who complements Dominic and Danielle’a acting very well.

The relationship between 2Dads and Charge continues to evolve. Nikolai and John are always strongest when given the opportunity to play off each other and ‘Black Flights’ seizes upon this opportunity to deliver really enjoyable drama. It is also nice to take an occasional break from the romantic (or potentially romantic) relationships amongst the crew.

Charge takes command of much of the action later in the episode and Ian Stenlake fans will also be happy to hear that Mike also gets in on some of the action in this episode.

Although I’ve previously talked about improvements with the shooting and editing in Series 5, they are even more evident in this episode. For instance, the most simplistic ‘establishing beach shot’ seems to be done with greater effect than in the past.

This episode displays a good balance of action and mystery. Whilst some of the story seems a tad predictable at first, the eventuating twists and turns make it very interesting and I consider it to be one of the stronger episodes to date.

It’s sad to note that the double episode seen in most states this week marks the halfway point of the final series. I’m confident that the second half of the series will continue to strengthen “Sea Patrol’s” place in Australian drama history and see the series go out on a high.

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Episode 6, ‘The Stinger’, opens with Ryan learning the ropes on the bridge. He spots a possible FFV. When a boarding party is sent to investigate, they discover an unexpected face on board – that of SAS Captain Jim Roth. Dutchy reacts without thinking and potentially blows Jim’s cover. Kate is not impressed but tries to remain professional.

Dutchy later tells Mike that Jim would have called off the operation if he thought his identity had been compromised. Kate isn’t so sure. ASIO orders Hammersley to shadow the FFV to monitor Jim’s safety. Dutchy tries to make peace with Kate but she is not forthcoming with forgiveness. When Dutchy spots two people struggling on board the FFV, Kate ensures that Hammersley acts swiftly.

Upon boarding the FFV they find a pool of blood and Jim, semi-conscious, nursing a serious head wound. The concern and panic in Kate’s voice cannot hide her lingering feelings for Jim. Lisa steps up her acting here and exposes fierce emotion that our Kate from Series 1 would not have made so conspicuous.

When Jim fully regains consciousness, Dutchy instantly becomes the object of Jim’s wrath. Although the crew picked up every suspect from the FFV, the leader, Meers is nowhere to be found. The arms deal Jim was setting up is off the cards and a terrorist is on the loose.

There is something awkward about Ditch’s acting here. Is he displaying the unpredictability of someone with a head injury, or is he attempting to demonstrate Jim’s heightened emotional state by shouting his lines? Either way, the moment seems too forced to translate effectively. Fortunately, this is a minor quibble.

Mike gets permission from Maxine to follow Meers into a foreign port. On a personal level, Maxine wants to speak with Mike face-to-face about a paternity test for Ryan.

In the foreign port Jim is keen to track down Meers but in his fragile state Kate refuses to let him go alone. Dutchy accompanies them in what appears to be a desperate attempt to make amends for his earlier mistake. With Jim having difficulty keeping steady on his feet, Kate takes him back to the ship. Dutchy is left to his own devices and, in the course of investigating a lead, stumbles upon ASIO’s Madelaine Cruise.

There is a sexual spark between the pair and when Madelaine is attacked in her hotel room, Dutchy heroically comes to her aid – only to stuff up once again. The sudden romantic interaction is slightly perplexing but overall Conrad and Renai exude an appropriate level of chemistry. Conrad is also very skilled at extracting our empathy as Dutchy continuously – and innocently – gets his colleagues off-side. Dutchy doesn’t complain much, but his exasperation is palpable.

Mike, after eavesdropping on a personal conversation between Kate and Jim, confronts Kate to ask whether Jim is the reason she broke up with him. This scene stands out for several reasons. It is the first time in five seasons that we’ve seen Mike in the galley for more than a few seconds and a late night assignation in an environment usually abuzz and filled with light gives the place a rare solemnity. It is also the first time Mike and Kate have discussed matters of the heart in a public part of the ship for longer than a minute. It is a serious and somewhat heavy-hearted exchange underscored by mutual respect.

I felt a thick air of sadness hovering over this scene; we feel Mike’s pain but, perhaps strangely, we also ache for Kate. The musical score probably contributes to this mood but other viewers may take something else away from it. There is a refreshing directness and honesty about the conversation – as if Mike and Kate are too old now to be playing games – yet there is still evasiveness and unanswered questions. Ian and Lisa delve deep to execute a poignant scene which allows us to reflect on what might have been. To me, it is an unpretentious yet defining moment for these characters, delivered flawlessly by both actors.

Jim tries to convince Madelaine that his cover isn’t blown, and tells her he wants to continue with the arms deal. Jim is still in no condition to lead the team so Dutchy fills in. However, it seems ASIO might be withholding some important information from Dutchy which proves perilous when it matters most.

The action in the second half of the episode really picks up pace. With the seemingly indestructible Jim out of action due to injury, our heroes are once more given the chance to prove their mettle.

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Episode 5, ‘Dead Zone’, is a return to mystery for the series. We open with a psycho reminiscent of a young Hannibal Lecter. This ‘monster’ tries to take a chunk out of Kate’s ear, apparently his preferred delicacy. He’s been terrorising the locals on Stokes Island.

Hammersley has been tasked to transfer the ‘Stokes Island monster’ to the mainland for psychiatric assessment and treatment. I was expecting him to break loose and the episode turn into ‘Red Sky Morning’ Mark II on board Hammersley. While that is a storyline I would love to see, the narrative at hand quickly takes a dramatic and unfortunate turn when Swain finds the prisoner dead.

Back at Navcom Maxine ‘Knocker’ White is fuming. She doesn’t want to see Navy ‘death in custody’ headlines and orders Hammersley back to Stokes Island for a goodwill visit. Mike stays back after this stern interaction, completely changes the atmosphere and asks Maxine out for a drink. He has something he needs to discuss…

Dutchy runs into ASIO spook, Madelaine Cruise (Renai Caruso) – He wants to know why she thinks he is a ‘security risk’. The scene here is quite humorous, and Conrad does a good job of keeping their exchange flowing and interesting despite the one-sidedness of the ‘conversation’. Renai plays the silent type well, ensuring that the scene does not belong to Conrad alone.

Mike and Maxine meet up for a drink, where Mike lets her know about the bone marrow results. Maxine expresses surprise as she tells Mike there is no way he can be Ryan’s father. It is refreshing to see Tammy more involved this season and it is enjoyable to see her out of Navcom and in civvies. I also think the ‘paternity’ storyline is being handled with greater respect, tact and care than most people are crediting it with. The way it is unfolding, the ‘soap’ label, I believe, is unwarranted. Viewers, however, will make up their own minds.

In a Mission Impossible-esque scene between Dutchy and RO, Dutchy asks RO to hack into ASIO’s computers to find out what they have on him, and learn a bit more about Ms Cruise. Kristian is in fine form as usual, and he and Conrad seem a bit like the new odd couple. Following on from this is a pretty funny and perfectly-timed scene between Mike, 2Dads, Ryan and Charge. It is a credit to the director (Steve Mann) and the actors that casual scenes like this just gel; that magic moment when everyone is on top of their game and the team work is so evident.

Back on the island, Kate and Swain are tasked with delivering medical supplies to the local GP, Dr John Wallace (played by Australian Idol judge Mark Holden – more than a ‘personality’, he is a legitimate actor). Holden’s transformation into a struggling, burnt-out GP is convincing. There are a few questionable moments of acting, but these pass quickly and on the whole Holden takes admirable command of a role that could easily be overplayed.

A sick girl and the medical reasons behind the ‘Stokes Island Monster’s’ death seem to point to something fishy going on. Dr John Wallace tells Kate of his water contamination theory, but Kate – having dismissed him as a drunk – is suspicious of his motives. A large fishing vessel might just point to the truth.

Kate is committed to the plight of the island. The mystery takes some unusual twists and turns, with explosions, and attacks on RHIBS along the way. The action in this episode really picks up from Episodes 3 and 4 up and the mystery is engaging. As we’ve become accustomed to lately, there is a revelation in the closing moments.

The acting is smooth, enabling the episode to achieve a good pace, and this results in a densely-packed 43 minutes. The guest acting is again at a high level – watch out for the perfectly subdued performance of Meganne West as one very sick little girl. Fans will enjoy the dynamics and quality of ‘Dead Zone’. It has all the ingredients that make for a deftly-balanced episode: humour, emotion and action!

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Episode 4, ‘Spoils of War’, is a heartfelt episode that explores the continuing problem of ‘boat people’. As promised, Hal and Di steer clear of political debate, instead focusing on the human side of this very tragic issue.

I really like Swain, and am always excited when he is central to a story. This storyline is by far one of the best Swain episodes of the series and I’m glad they left it until now to tackle.

As Hammersley prepares to board a suspected people smuggling boat, they see smoke in the distance. They arrive to find bodies in the water; their job becomes a recovery rather than rescue operation. Swain feels the full impact of the disaster when he checks a young girl’s body for life. Swain must endure the heartbreaking job of tagging the bodies and looking for personal affects to try and identify the dead.

Mike briefs the crew and reminds them that this is a major ‘interest story’ and not to talk to the media. With little dialogue, it is clearly evident that the tragedy has affected many of the crew personally; especially Swain, a man known for wearing his heart on his sleeve.

Whilst preparing for leave, Mike tries to reach out to Kate after her decision to break off their relationship. She doesn’t want to discuss it; as far as she is concerned it’s over between them. I found this scene very stilted and a bit out-of-sync with what we’ve seen in earlier episodes. However, it might just be Kate trying to avoiding the awkwardness of the situation.

Outside the front gates of the Cairns Base, Swain is confronted by a small group eager for information about the people on the boat that sank. As per his orders, Swain distances himself from them.

Back at Junior Sailors’ accommodation, 2Dads runs into Ryan who is planning to ask Bird out on a date. But before he has the chance, Ryan receives a letter posting him to HMAS Hammersley. As soon as he reports to his new CO, none other than his Godfather Mike Flynn, the initiation pranks begin!

Back at sea, Hammersley discovers a boat at the exact location that the people smuggling boat went down. Upon investigation, a lone man is found on board and claims to be the father of the young girl Swain pulled from the water. In a moment of weakness, Swain tells the man the girl is dead. In some quite moving moments, we see the pain of a father’s loss.

When RO finds out that the girl’s real father has already claimed the body from the mortuary, suspicion falls on the man they found at sea who has now disappeared.

A blast from the past, Stuart White (Ryan’s father), calls Mike Flynn and they meet up at a local pub. Mike learns that Stuart needs help and that help needs to come from Ryan. Father and son are not on speaking terms and Stuart asks Mike to plead his case.

Mike notices Kate nearby having lunch with SAS Captain Jim Roth. We see a glimpse of jealously from Mike as he catches a few sparks flying between the reunited pair.

When Mike talks to Ryan on Stuart’s behalf, he finds that Ryan wants nothing to do with his father. Mike seeks out Kate for her advice on how he can convince Ryan to help his father. This scene feels more like the scenes we’ve come to expect. The underlying tension is still present but Mike and Kate conduct themselves with maturity and professionalism.

Swain tracks down the real father of the dead girl and tries to learn more about the people smuggling ring. When the father does a runner, Hammersley sails to track him down. The crew soon comes across another people smuggling vessel. After boarding, an explosion rips through the boat and the full, sinister truth is exposed.

Like Episode 2, a big surprise is revealed in the final few seconds.

Matt Holmes again delivers a great performance. The pain he shows through his facial expressions and body language is real and raw. He is captivating but heartbreaking to watch. I feel Matt’s skill and his character are under-used; but this just makes “Sea Patrol” all the more enjoyable when he does get the spotlight.

The guest performances in this episode are high quality. The emotion they display throughout really brings the story home and I think the casting was spot-on.

The overall narrative of ‘Spoils of War’ is very moving and, frankly, necessary. In the midst of fierce political debate and scare-mongering, many people lose sight of the human reality of refugee and asylum-seeker issues. Although not as fast-paced as Episode 1 or 2, the rhythm is well-measured. I am glad we are able to see an episode like this before the series ends; I feel it needed to be made. It is a credit to the producers and the cast.

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